My Favorite Working Pony

Here are a couple of photos of the one I still think of as the "new horse."  It is made up of mostly recycled and scrap wood that I was hoarding for just such a project.  More than ten years later, I am still quite happy with the size and design of this one. It … Continue reading My Favorite Working Pony

Prototyping a New Belt Pouch

I'm calling this one the Ranger Bag - It takes a lot of work to prototype a new bag design. To get just the right shape and proportion, find the right materials, and choose the appropriate construction technique is a big deal; especially if it's going to be done well. I wanted something that looked … Continue reading Prototyping a New Belt Pouch

Primitive Arts

Today I'm prepping to present some primitive skills on Saturday, from raw materials to finished goods. I'm also getting some kid's activities together to draw in the latest generation. An assortment of stone-age technology laid out to take to the public.

Trade Card from a Bow and Arrow Maker

An advertising card from when people appreciated hand made archery equipment.  No training wheel, gizmos, releases, or sights.  There is no date on the image but I suspect that late 18th century or early 19th century would not be too far off.  Apparently javelin throwing was in vogue at the time as well.  Now we … Continue reading Trade Card from a Bow and Arrow Maker

Mongolian bamboo arrows

More bamboo arrows from the leatherworking reverend.

The Reverend's Musings

Reproduction 14th C Mongolian Arrows

I’ve been doing a little consulting to my nephew*, who has been making a Mongolian bow for a school history assignment. His theory is that the Mongolian bow gave the advantage to the Mongols during their invasion of China in the 14th century, so he’s making one and testing it out. I disagree in a greater part, but it’s more important that he can research, develop and coherently defend a theory. I offered to make him some contemporary bamboo arrows to go with the bow, partially because I knew he wouldn’t have time, and partially because it was an opportunity for me to learn some new skills working with bamboo. He’s also going to be a little more forgiving than a paying client if I make a couple of mistakes while I’m learning, or take some shortcuts.

Paleotool has an excellent two parter on making bamboo arrows, I…

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In a spin about fletch wrapping

arrow_anatomyFinding “handedness” in archaeology… using the fletching of arrows as an example. As a professional archaeologist AND primitive technologist I am very skeptical when someone claims they can determine which hand of a maker is dominant on an ancient tool or weapon. One reason for the distrust is that the archaeologist may not have experienced creating the object in the same way the original maker did. I think the Leatherworking Reverend has a valid point in the following article (and not just because it affirms my own experiences).

The Reverend's Musings

At most find-sites that have arrows there will be a non-equal mix of S- and Z-wrap on the bindings. The dig report will assert that left-handed fletchers were responsible for those that aren’t the majority direction arrow binding, probably without mentioning whether it’s the Z- or S- that they are talking about. I can’t find where it was written down the first time, but it has been repeated until it became lore. Consider the Ötze website:

According to technical archaeologist Harm Paulsen, the two arrows could not have been fashioned by the same person. The fletching shows that one was wound by a left-hander and the other by a right-hander.

and the Mary Rose Trust:

Hopkins (1998) studied 408 shafts from chest 81A2582 (O9) and recorded that, in every case, the binding thread had been wound in a clockwise direction from the tip end of the shaftment (ie, the portion of the arrow…

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Tools of the Bowyer

I have been working on a bow-making tutorial for quite a long time now.  Trying to be as explicit as possible while not dumbing everything down is a tricky narrative to follow.  Just gathering the appropriate images of the process is time-consuming and difficult but truly, a good image is worth a thousand words.