Traveler’s Wallet

Once again, I am producing some large, traveler’s wallets.  While some are waiting their finishing touches, here’s the first of six.  They are all of the same general size and design but each has some variation in shape and closure type.

A simple wrap closure. This can accommodate a bulging wallet.

I think my dying is improving.  Having read more on the subject, I’ve been able to create a nice overall finish.  The dye is applied in many diluted layers and hand rubbed to force it into the leather.

The right size for many applications.

The leather is from a 6 – 7 ounce vegetable tanned cowhide that was a real beauty.   The side was just shy of 30 square feet.  To start working the nine foot long hide, I had to move my operation into the kitchen and onto the floor for initial cuts.  Maybe someday I’ll have a shop table big enough to accommodate something this size again.

The interior divider provides four pockets. Big enough to hold a load of cash, passport, and the separated slots are sized for standard identification or credit cards.

This wallet is perfect for keeping everything in one place for log term travel or to be used as a small clutch purse.

Edges are burnished to give a finished look and the body has been waxed with all-natural dubbin.

The thread is heavyweight bookbinder’s linen in dark gray (nearly black) so is absolutely period correct for the reenactors out there.

If you are interested in this or some of our other work, check out our Etsy shop, look at the previous sales, and read the reviews.

Have a great day!

https://www.etsy.com/shop/LostWorldCrafts

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Large Possibles Bag

Another possibles bag completed and out the door.  This one was designed, at the request of a customer, to fit a specific case that would fit inside.  This is clearly my favorite “go to” design and will make an excellent bushcrafter’s kit.

This one is about 3 1/2″ deep and a little over 12″ by 9″ inside the body.  Front and back are 7 oz. leather and the gusset is about 5 oz. to give some flexibility.

All the hardware and rivets are solid brass for all weather use and this one features a flat pocket inside and out to organize small items.

The gussets are cinched to keep the top contracted but can be opened if necessary.

The security strap is left open so that objects can be tucked under if desired.

Obviously, I like this design and all its variations and I hope the new owner can put it to good use for many years.

Deluxe Possibles Bag

In my shop, 18th century style is still in style.

More shameless promotion from the workshop.  This is my new, deluxe model possibles bag for the right mountain man or woman.  This design has proven to be practical and popular.  The leather is veg-tanned Hermann-Oak and all sewing is double-needle saddle-stitch.  The hardware is premium solid harness brass.  This bag will only get better with time and wear.  I’ve been carrying the same design for a decade and it is just getting more beautiful with age.

https://www.etsy.com/listing/669145808/deluxe-shooting-bag-possibles-bag?ref=shop_home_active_1

Work from the Leather Shop

  • Long, cold nights in the Midwest. 
  • Limited mobility due to injury. 
  • A need to create new things
  • A desire to fund my trips later this year…

This is a recipe for high productivity in the workshop.

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Hot off the workbench.

Fortunately, I have a fairly large stockpile of leather and supplies to see me through my projects as I find inspiration in different projects.  I am leaning toward things that have been popular in the past years but if anyone has ideas or suggestions, I will gladly consider them.

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Sam Browne button in solid brass.

This is my travel wallet design.  It’s a simple clutch-style document case to keep things safely stowed when you want more than a card wallet.

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Simple, rugged design.

No frills but elegant in its own way, this one was left natural color and rubbed with dubbin (a mix of neatsfoot oil and beeswax).  Full-grain veg-tanned leather like this ages beautifully and takes on a golden brown patina.  This wallet should outlive its owner.

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Hand stitching.

As always, the stitching is double-needle saddle-stitch for strength and hard-wearing.  If you are interested in this or similar goods, please check out our new Etsy shop at https://www.etsy.com/shop/LostWorldCrafts or just click the banner below.  We hope to have the site fully running and stocked with new goodies in the coming weeks.

lostworldcrafts

 

Action Photos

Just a quick follow-up from yesterday’s post…

The sporran is complete and ready to go so, of course, I had to model it to show the size and wearability.

Here is the Maker in his workshop sporting the new bag.  I didn’t bother to “kilt up” but that is the belt I frequently wear when kilted.  Overall, this design is great and I’ll probably start making a few more right away.  I like this one better than my own day sporran so I guess I’ll need to make one for myself as well.  I should note that a truly traditional sporran would be ornamented with leather or hair tassels.  I pondered this addition, but it isn’t really my style.  Maybe on the next one.

Sporran in Progress

I have been wanting to make a few sporrans based on the classic 18th century style.  This type, often referred to as a Rob Roy style, is a fairly simple, single pocket design that can have a number of variations.  The one I’m making here is from 6 oz full-grain hide and should outlive it’s owner, even under hard use.  A versatile belt pouch like this was originally intended to be worn with kilt or trousers as built-in tailored pockets are a rarity in history.

At 6.5 inches wide by 6 inches tall it can hold a fairly complete fire and survival kit in a handy position on almost any belt.

As with most of my leatherwork, this bag is hand sewn using a double-needle saddle stitch for strength and longevity.

The dye is wet in these photos, looking a bit uneven, so I’ll try to shoot a few more in better light when the weather improves.

The bellows design I chose stays flat but will expand to fit more gear as needed.  Look for a follow-up soon.  It is listed on my Etsy page so it will, hopefully, be finding a new owner in the near future.

https://www.etsy.com/shop/LostWorldCrafts

U.S. Army Riding Gloves Pattern – free

In my internet sleuthing I have gathered literally thousands of images, plans, and patterns of things I would like to make or have for reference.  Government documents, like the scans below, are invaluable resources for the maker when they are made public.  Who would know how to better and more efficiently make a pair of riding gloves than the U.S. Cavalry.  This design is the culmination of more than 110 years in the business.

Click the pattern for the full-sized image. Scale to fit the dimensions shown for the standard sizing or scale them to fit your hand, be it a tiny little paw or oversized ham (note the three sizes on the pattern).

Part of the fun is learning the names of the parts; I had no idea there was even such a thing as a quirk in a glove.

I hope to get around to making a pair soon myself but please let me know if you have any success when you try these.  Thanks for reading and please click “Like” or leave a comment if you have one.

Making a Stitching Pony; Video Tutorial

Stitching Pony, Leather Worker’s Clamp, or Saddler’s Clam…

Whatever you call it, it is a handy device to own if you sew any leather.  These are simple devices that just about anyone can make with little time or money invested.  Although there are many varieties and models, the one shown in this tutorial by Harry Rogers of Bucklehurst Leather is the one I have most commonly seen.  Is there no end to this man’s skill and diversity of talents?

 

The only comments I really have are:

YES, the jaws should be lined with thick, smooth leather and that the gap is necessary to keep the jaws as flat as possible against the work.  It is also nice, but not necessary, to have a compression spring over the bolt to push the jaws apart when loosened.   And finally (terrible way to open a sentence in writing I know), a recent comment from a friend suggested that the tightening nut could be replaced and a better system be devised from a bicycle quick release axle.  Maybe on the next one.

Check out his leather work here:

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Saddle Stitching

When teaching a leather craft or making an item for someone, I am often asked about the machine used to sew such thick leather or through so many layers in tight areas.  People are often astounded when I explain that this is all hand sewn, with an awl and two needles.

Some earlier work. Good, but not great, stitching.

I learned saddle stitching before the internet was a thing and without a book.  I was sewing leather bags, moccasins, and clothing in a relatively poor and untutored way.  As I became more savvy over the years I was able to analyze older pieces and read an article or two about saddle stitching and cordwaining that began to make my work look more professional.

Saddle stitching is the only way to build a large, complex leather project without some ridiculously expensive machinery.

While I have considered making a video to give an introduction to saddle stitching I know there are many master craftsmen out there far more skilled to do this properly.  One of them is Nigel Armitage of Armitage Leather.  He is a member of the Guild of Master Craftsmen of Britain which I understand is nothing to sneeze at (I can hardly imagine the level of dedication most of these men and women have for their crafts).

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On to the show…

This is probably the best and simplest tutorial I have seen online about learning the basics of saddle stitch.  If you are new to this, remember, the pricking iron is not an absolute necessity for starting out but it will make you seams straight and beautiful.  If you don’t own one, you can still mark and follow a line or even mark the stitches with a ruler and awl (I did this for a very long time).

I hope this answers some question for those getting interested in leather work and saves you some of the headaches I experienced without proper instruction.

 

Art and Craft Fair

I would not have ever thought myself a craft fair kind of guy yet here we are…

A sneaky photo of the maker discovered this afternoon.

Last year, our local community center hosted an arts and craft fair as a way to bring local artisans together and raise money for public programs (art classes, GED education, computer skills, tax assistance, etc.).  Being new to the area we joined in last year and were invited back for a second go around last weekend.  It was a good cause and a way for us to make a little extra spending money for the holiday season.

Stacey’s jewelry, sewing, weaving, and holiday arts.

Times are tough and it seems that most people have little to spare on superfluous items this time of year.  Despite this, it was still a profitable venture and a portion of everyone’s proceeds went to a good cause.

Details…

Two very good outcomes from joining in this effort were:

  1. Forcing us to buckle down and finish a load of projects in a very short period and
  2. Putting us in touch with a lot of local makers we may not have met otherwise.

There are some very talented people out there and it is often difficult for them to show their work. Venues like this allow the small, part-time players like us to showcase some of what we do.  Now, as a primitive tech artist, I steered myself more toward items that were affordable and would appeal to the average person; especially someone looking for gifts appropriate for the holidays.  I even brought a few walnut cutting boards as they are fairly popular gifts.

Painters, printers, writers, jewelers, and even wonderful candy and jam makers were there and we a grateful for the opportunity to participate again this year.

I thought I’d share a few bench photos leading up to the fair.