Huaraches!

There are Huaraches north of old Mexico.

As a craftsman of sorts, I understand that making a “one-off” of something does not imply expertise and replication builds a real understanding of the object being produced. However, this is certainly not my first leather working or shoemaking project but a major improvement on a theme.  The lasts I purchased earlier in the year on Ebay have finally been used to actually make a shoe so I documented the process as it came along last week; mistakes and changes included in the process.  While searching for huarache construction, I have only been able to find the simplest tire sandal designs and many links to “barefoot” running sandals.  I recently found the Huarache Blog and scoured it for inspiration and design secrets from real huaracheros in old Mexico.

Sole cut out, punched for strapping and nailed to the last.

The lasts shown here seem to fit me well but are an Oxford dress shoe style, I think, meaning they run a little long in the toe.  New lasts are pricey (ca. 50 euros/70 US), but I think it will pay in the long run to invest in a better design for myself and those people I might make shoes for.

Wetting out the first strap.

I didn’t show the strap cutting process as there is little to be learned about that.  My fancy new Osbourne strap cutter can be seen in the upper right of this photo

Since this project was experimental, I used scrap leather, meaning I could only get about three foot (one meter) straps.  In future, I’ll probably use 6 foot or longer pieces (2+ meters).

Nailing the strap to the last.

Pre-punched holes in the mid-sole and away we go.  A little tallow on the straps helps cut the friction of the leather but ended up being not worth the trouble.

Placing the twining thong.

This is a signature of the style I chose.  The vamp or tongue-like piece was later removed as I didn’t like the way it looked.  I’ll experiment more with that later.

Lacing and twining.

Unlike normal, I completely finished the first shoe and removed it from the last to check size and shape to determine any major changes that would need to be made.

Heel added and lacing up the back. I think this step shows the evolution of the strap sandal to the modern huarache.

The straps running under the mid-sole look like a problem here but are ultimately skived down, wetted, and hammered flat.

Straps ends as added in. Longer straps would lessen the ends here.

I used simple wire nails to attach the soles but sewing would work too.

Ends to be trimmed and skived, and a finished sole.

Pulled from the last, they actually matched.  I don’t know why I was surprised but that made me happy.

Preparing to nail the sole.

This method is fast and efficient, and I suspect rather tough.  The nails are pressed through the leather and rubber into a thick leather scrap below.  Otherwise, you would need to pry it up from the work board.

Nailing the sole.
Bending the nails in preparation for clinching.

The nails are bent over (inward) to prepare to “clinch” them.  There are no photos of this part of the process but this was done by setting the shoe back upright on a small anvil and hammering the nails down tight with a punch.  The pre-bending causes the nail to curl inward and back up into the sole.  Voila!  The Huaraches below have about five miles of hiking on them now and they’re beginning to have some character.

Huaraches you say?  Do tough guys wear such things?  In an era of cheap, slave-made garments, its easy to forget how self-reliant our ancestors were for such things as raiment.  I include this excellent photo of Capitan Alcantar I found on the Huarache Blog as a great historical image of a man of action wearing his huaraches and ready for war.

Click the image for more historic photos like this.

Walking Shoes

 

My new walking shoes.  Simple stitch-down design weighing in at about 14 oz (0.4 kg) each.  The leather is Hermann Oak 2/3 oz for the uppers and 12 oz (I think) for the mid-sole and out-sole.  There is also a double layer stacked heel that has a thin rubber layer on the bottom.

They have about 6 trail miles on them in this photo.  They are dyed “light tan” and coated in home-made dubbin.*

The goal was to create an extremely lightweight shoe that will protect from the gawd-aweful sand burrs, cacti, and other sharpies that get into the sandals.  They are loosely based on “desert boots” but provide a bit more protection.  They are re-soleable, environmentally friendly, and made without sweatshop labor.  Since I have little fashion sense, they can be worn with anything and in public.  My only change in design will be to make the toe portion of the upper in slightly heavier leather as they will hold their shape better.

*A waterproofing concoction, in this case made from beeswax, olive oil, and walnut oil.
 

A few more images:

The shoes are unlined.  Constructed with a double needle saddle-stitch.  I wasn’t even concerned with stitching on this pair so they aren’t perfectly straight or small.  The tongue is lined with brain-tanned deer hide and there is a band of brain-tan around the top edge for comfort.  The laces are also brain-tan deer from a heavier hide.

The out-sole stitch is trenched in about 1/8″ to protect the thread.

They may not be fashionable but I think they have style.

 

 

A Quiver

My new quiver.  Re-worked from one I made earlier in the winter but was just not quite right.  I like it a lot now.  It’s a little smaller, hangs either vertically (Medieval style) or from a shoulder strap which is removable.  Made from oak tanned leather and so far, just washed down with yellow saddle soap.

It’s a simple and not very interesting design really but suits me well.

Leatherworker’s Tool Tote

Updated: Last weekend I finally finished the leatherworker’s tool tote.  It took time to figure out what needed to be included and handy.  Since the leather straps are fairly specific to the tool they hold, it pays to get it right.  The original post is here: https://paleotool.wordpress.com/2011/10/26/tool-tote/

It may not look exciting but it is a great boon to have handy, easy to access tools.

A fun and useful project.

Shoemaker’s Toolbox W.I.P.

Lunch-time post:

I began working on a shoemaker’s toolbox this weekend.  It’s based on an eighteenth century design but probably goes back further.  It will have leather “pockets” for the awls and some long tools.  The difference between this and a carpenter’s box is in the upright storage to keep the tools very handy.  The box I based it on can be found here: http://aands.org/raisedheels/Other/Toolbox/toolbox.php.

No complicated joinery other than the half mortises for the handle.  The sides are off still to tack in the leather pockets.  The original was nailed together but mine uses wood screws (brass).  Material is red oak with a walnut handle.  More to follow.

New High Tops

Determined to get the pattern right once-and-for-all I have been slaving away on a new pair of shoes.  As a matter of fact, I think these shoes are completely slave-labor-free.  The leather upper and mid-sole are oak tanned leather (Hermann Oak), and the rubber soles were cut from SoleFlex sheeting.  The laces were made from brain-tanned elk hide I processed myself.

The gent’s shoe as worn.

Outside heel stiffener.

Trousers cuffed to show height of shoe.  I live where the plants are unfriendly to bare skin.

The pattern was created without a last based on previous turn-shoes and a mock-up done in heavy canvas.  The shoe has no heel or shank as I am very used to walking barefoot or in sandals and moccasins.  A little more on shoes I have made here at: Footwear.  And some other leather work here.

Handmade shoe links

Handmade and bespoke shoes have become an interest of mine over the years.  Starting with moccasins and graduating to other variation led me to the realization that even with a great deal of leather and sewing experience, shoemaking is a complex and underestimated art in our culture.  Of course, cheap shoes are readily available to just about any income level in the industrial world. But if you have moral objections to the devastating effects corporate shoe companies (not to mention the clothing industry in general) and like the idea of being able to provide well made shoes for yourself, there is at least some information available.  On that note, I am glad to keep finding more and more craftsmen making handmade shoes available.  Unfortuntely, many are prohibitively expensive for the average worker but hopefully more will become available as demand calls (or the international infrastructure collapses from its own greed).

This pair is made by a shoemaker in Mid Wales.  I have no idea of cost but all of her information is on her website.  The gallery shoes a good variety of stitch-down type shoes and an interesting design she calls a shandal. Click the image to navigate to her site in a new tab or window.

If you prefer more historical or high end classic designs Sarah Juniper makes everything from Roman Period through modern shoes and boots.  There are some great looking lasted boots and other fine shoes here.  Click around her website to find lots of good stuff.  I would love to learn from a master like Ms. Juniper.

NP Historical Shoes:  This couple makes beautiful historic shoes for reenactors in Europe.  Awesome work and very inspiring.

I think a look at simpler, pre-industrial shoes can help us who are struggling to relearn this uncommon art.