Does this mean we should neglect our intellect? Absolutely not.
In fact, the opposite. We should strive to cultivate both mind and body to become the most perfect specimen we can become, daily.
I came across this passage while reading a bit this morning from Amateur Joinery in the Home (1916) by George and Berthold Audsley and thought it would be worthwhile to share.
There is a lot of good advice here but the above sentences stuck with me while taking the morning walk. “One never knows when life or limb may depend on the expert use of the hand and ordinary tools.” This could be applied to so many facets of an interesting life and is the basis of human survival that has put us where we are for a million years.
I have been using the down time afforded us by the events of 2020 to catch up on an ever-growing list of books and articles I have been amassing for decades. When I was working in archaeology full-time, the hundreds of pages of reading most weeks necessary just to keep current pushed many other interests into side avenues. I hope you all are using your time in a way that works well for you. In the mean time, this book is available for anyone with an interest in tools and working with their hands. It may even inspire new projects.
“And, pray, what can be pleasanter to behold? Talk, indeed, of your pantomimes and gaudy shows; your processions and installations and coronations! Give me, for a beautiful sight, a neat and smart woman, heating her oven and setting in her bread! And, if the bustle does make the sign of labour glisten on her brow, where is the man that would not kiss that off, rather than lick the plaster from the cheek of a duchess.”
Here’s another small project happening amidst all the “real work” that needs to get done during this quarantine.
24 inch frame saw made from Missouri grown walnut. The “hanged man” style flapper is a scrap of mahogany from some repurposed shelves. The sheath here is pine.
I seem to sell or occasionally give away the saws I make. I needed a new one. The last one went into the Winter Count raffle as the prizes were looking a little scant this year.
I went into the workshop without much of a specific plan but came out with this little gem. Just a matter of removing the unnecessary bits really.
Finally, the pin sheath is stained and a canvas quiver is made to cover the saw when broken down for travel. This one is from old,, heavyweight canvas salvaged from a truck tarp. It will all fit into a neat 24 inch bundle.
I want to keep this one but after inquiries rolling in, it may go into the shop (or another just like it).
For your enjoyment: a Carpenter from 1589, Mendel Manuscript.
This post came from looking through a few class photos from Rabbitstick several years ago based on an inquiry. This is one of the years I taught my favorite sandal design, an ancient one though still cleverly marketed as a modern style.
I call them saint sandals as they look like something you would see on a medieval depiction of some holy wanderer from Europe or the Middle East. To me, these are the greatest sandals I have ever owned.
This design is a good introduction to leather working and specifically, making footwear, which can be a bit more complex than most people know. Shoes really need to fit well in order to not cause pain or damage to the feet so an open design is a good way to start on this craft.
As I make them, the sewing is fairly minimal and can be eliminated entirely with the use Barge Cement. The sewing makes them a stronger design and I think adds a sense if beauty and craftsmanship to the final product. It is also a good introduction to double needle saddle stitching.
With a little dedication, these can be made in a long half day and are ready for use immediately.
Thank you to all the patient students who have learned this and taken home to teach others. I look forward to this class each time I offer it.