Making a Self-Bow

A pictorial step-by-step of the bow-making process. 

This quick look isn’t intended to replace the one-on-one learning of a real teacher or to cover all aspects of the art that come from years of practice.  Expect both success and failure and don’t let either one dominate your learning.  Education is a process, not an instance.

splitting stave

Felled stave that has aged a couple years in the dark and relative dryness of the barn.

Splitting the seasoned Osage orange (Bois d’Arc) stave is shown above.  Not visible here are short hickory wedges that are jammed into the growing crack to keep the stave from snapping shut.  With some woods the staves will simply pop apart but it seems that, more often than not, the splitter must overcome the tenacity of the fibrous wood.  Power sawing is definitely a possibility but requires more tools, more energy, and does not show the irregularities as well.  Splitting puts you in touch with the soul of the wood.

 

split open

Laid open, it is time to examine for undiscovered twists, knots, and other irregularities.

 

Splitting can be a tough process. As can be seen in the photo above, I use an axe, froe, and hammer.  I’m awful when it comes t remembering to stop and take photographs.  After cleaning up and heading to the next phase, I had to re-stage this photo and forgot to put the wedges back in.

de-barking

Stripping down to reveal the beauty underneath.

Some species of white woods debark quite easily and the bow can be made directly from the outer growth rings.  Not so with Osage orange. The whiter new wood is visible in the stave above as the outer rings are worked down to a single thick growth ring.  This process is easiest with a sharp draw knife working downward.  Your weight can be used to pull through the bark.  Gravity is your friend.

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Revealing the different look, color, and texture of the growth rings.

Above is a close-up of working down to a single growth ring. With Osage, there is a white, porous, vesicular layer between hard wood rings. This is just visible here as the white wood.  It should be worked down to a single, dark and dense layer; preferably a thick, slow-growth year ring.

 

0649

Sighting down the clean stave.

Not perfectly straight, but then it would hardly be Osage otherwise.  I can work with this. It’s time to imagine a perfectly straight line down the back of the bow.  This will be your starting point when laying it out.

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Another look at growth rings revealed.

The growth rings are quite visible in this low, raking light. The smooth area nearest the viewer is down to the desired ring.  This will be the “back” of the bow, meaning the side facing away from the shooter.  Crossing the rings could cause the limb to “lift” and crack as the rings are stressed and pulled apart.

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Shaping and thinning.

This is nearing its final shape. This is a different stave from the one shown above but gets the point across.  I’ve documented the next part of the process elsewhere but will recap soon.

If you want to make a bow, dive in, don’t be afraid.  Get a piece of wood and go to it.

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More Shaving Horses and My Mobile Set-up

coopers-horse-1

A Cooper’s Horse.

A shaving horse is an invaluable tool if you create or work with odd-shaped objects that are otherwise difficult to clamp or need to constantly move around.  A horse, in combination with a small bench of the same height can act as a fairly complete workshop that is reasonably portable and adaptable.  Carpenters, furniture makers, coopers, shoemakers, jewelers, and carvers all have their specific designs and no one type will be the best at everything.  With a little patience, planning, and luck a great horse can be built for cheap or free with just a very few tools.

Here are few more shaving (work) horse images and some I created over the years if you need inspiration or information on designing one for yourself.  I wish I had photos of my very first horse but unfortunately, it existed at a time when I seem to have taken very few photos of my own projects.   Maybe that had something to do with carrying two field cameras for work almost every day and my sub-conscience rebellion against it.  But I stray from the point…

bench

Click the image to read what this peasant is making.

In the old days of pre-internet (some of you may recall this with me) there was very little information floating around about these simple but nifty devices.  People like Roy Underhill (the Woodwright’s Shop) and Drew Langsner (Country Woodcraft) had them.  I recall seeing them rotting in yards in the Ozarks or slowly decaying in the back of barns. While researching them later, the one consistency I discovered was the complete lack of consistency on their size, shape, height, length, or actual use.  Obviously, every bodger, tinker, and shingle maker had his own ideas and was probably limited by material availability.

goodman-1966-roman-horse-rheims

“Goodman identifies the (above) relief as a cobbler making a wooden last sitting astride a small bench (‘horse’). The workpiece is held firmly on a sort of anvil by means of a strap passing down through the bench top, and held taut with his left foot. (Photo: Goodman 1964, p. 184, Museo di Civilta Romana, E.U.R., Rome. Reproduced without premission citing fair use).”

While my first horse was designed primarily around wood scraps found in the shop an it’s ability to fit cross-ways in a truck bed with ease, it was perfectly functional.  Experience and use taught me the good and bad points about this model and the result has been these  better and later designs…

0106This was a good horse designed for the bowyer. Hickory arm and head, poplar cross-stretchers and a long, adjustable-tilt table to accommodate a wide variety of stave thicknesses.

0699Another of similar design. The base is the same but is has a square head and wider treadle to use easily with either or both feet.

0658One of the horses in use.  This is how they are best.  I actually stopped tillering to take an “action” photo in the old shop.

0321Another action shot fixing the tiller on someone’s bow at Winter Count. I wouldn’t normally have a giant, heavy stave leaning on the horse but the photographer insisted for some reason. I was just hoping it wouldn’t bean me with a very sharp draw-knife in my hand (hence the rasp).

0053Not my herd (above).  Here are a few others I encountered at a bow making class in the Midwest several years ago. I liked the simplicity of these made for teaching new bowyers at the Bois d’Arc Rendezvous. You could probably make one of these with nothing but a few well-chosen scraps and a few bolts.

And my favorite…

Design was kept as short as possible for transport. The cross bolt where the arm hinges is a salvaged bolt from an old truck spare tire holder.

Design was kept as short as possible for transport. The cross bolt where the arm hinges is a salvaged bolt from an old truck spare tire holder.

Higher, more ergonomic table.

Higher, more ergonomic table.

Finally, the horse above has been my more-or-less permanent workstation for the last few years and has traveled many miles around the western U.S.  Used in conjunction with a small saw bench (built Winter 2015), I have a very complete work setup that packs into the bed of the tiny Toyota pick-up.

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Click the image for more information about this project.

With all the gentrification of woodworking that has grown out of some fine blogs and books of the past few years I think it’s important to remember the roots.  Not everyone needs to own every tool, jig, or gizmo nor should we want to.  Few amateurs can have an enormous, dedicated work space surrounding a one-ton French-style Roubo split-top workbench, nor will he need one.  Once you figure out what you want to create, then the tools can follow as needed.

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Archery Artisans

The arts and crafts of bow-making and arrow-making are alive and well.  If anything, they have grown in quality and quantity in the 30 years I have been involved in archery.  I, like most of the other bowyers I know, learned in relative isolation with very little printed information available.  After a few successful bows, I was lucky enough to find a copy of James Duff’s 1932 classic Bows and Arrows which explains the English Longbow in great detail.

After making a couple dozen bows of various styles, I began to make arrows and realized that this is where the real magic happens.  A bow is simply a leaf spring that stores energy applied slowly by the archer and (hopefully) returns that energy very quickly to launch an arrow.  On the other hand, an arrow is a work of art and craftsmanship that undergoes tremendous force during acceleration and should be able to survive the trauma of slamming into a target at speeds approaching 200 feet per second (135 mph or 220 km/hr).  On top of this, a good arrow must have some weather-proof qualities to handle massive temperature fluctuation, damp grass, heat, sun, and possibly rain.

I mention this because to many people I speak to just getting interested in archery, that to make a bow is the holy grail of primitive technology.  For me, it is that creation of a matched set of 12-24 arrows that work well for me and my bow and will hold up under hard use.  Yes, there is something cool in making a great bow, but building a good arrow is far more important.

On that ramble, here are a couple of good links I recently stumbled across on the internet.

Bow Explosion is a German website from a bowyer working in the Black Forest with and interest in flight shooting.

Ashbow has an excellent Picasa Web Album documenting some excellent archery and other primitive technology skills.

And I cannot say enough good about the ATARNnet.  The forum of the Asian Traditional Archery Network.  There is a load of great information there about Asiatic archery, from Scythia to Japan and everything in between.