The beautiful interior of Mick’s vardo. Check it out over at his blog.
Tag: primitive technology
Pole Lathe
Here’s an image of Mick’s pole lathe where my bowl and plate were created. It’s hard to see all the workings from this view but it’s a pretty great set-up. Unlike a modern, continuous motion lathe, the cutting is done on the down-stroke (about 2 1/2 revolutions) and the spring returns the system to the “up” position. This type of woodworking is done with green wet wood; in this case, alder.
New eating kit
New mess kit, old spoon. Plate and bowl turned on a spring-pole lathe by Mick Robins. Both made from green alder. I carved the spoon years ago from and Osage orange scrap. Just scraped and waxed the set to make them easy to clean and prevent cracking.
New Travellers
Chert Bifaces

Some mighty fine heat-treated biface preforms ready for general use or to be made into something a little more refined. Source material from the St. Louis area, Burlington chert. Thanks Larry!
Ghillie Making at Winter Count 2014
One of the many things taught at Winter Count this year was shoe making in the form of carbatina or ghillies. These are relatively simple shoes notable for their one piece construction and generally involve very little sewing. I am interested in how things are learned and for me, the process is more important than any other aspect. Hopefully, students take away some knowledge that they can apply beyond the class setting and in an afternoon can learn something that they can use for life.
Historical examples vary widely but tend to have a lot of similarity in the complex toe-cap. Shoes are a difficult piece of clothing and protection because the fit is critical and even minor problems with the shoe will impact the feet in a negative way.
The toe cap is formed by strips of leather overlapping which gives flexibility and room for expansion. The simplest forms are one piece but better versions are found with insoles and outer soles to extend the life and create a sturdier shoe.
These were all made from premium oak tanned leather (ca. 8 oz. or 3.2 mm) which proves to be tough to cut but provides a long lasting shoe. It was a great set of students in the classes and I think we ended up with 17 pair of shoes in the end.
An earlier post describing my journey into Ghillies can be found HERE.
Bone Fish Hooks
Antler and Bone
Irish Brogues and Other Simple Shoes
It’s time for new shoes. After a soon-to-be-finished commission for a leather satchel, I intend to dive into a brogue-making project in the style of 19th century Ireland. This basic design certainly dates back much further than this as shown by archaeological finds in bogs throughout Europe. Don’t confuse these brogues with the more modern usage such as:
This is a brogue in the Scottish/Northern English semi-formal fashion with decorative holes reminiscent of the drains left in old field shoes. Nor is this to confused with the type of shoe that some modern-primitives call “ghillie-brogues” or more properly, just “ghillie”:

These earned their proper name from Scottish Ghillies; a term used to denote game wardens, hunting and fishing guides, and sometimes, even poachers. A simple shoe style that probably goes back several millenia in Europe.
What I decided to shoot for was a shoe that is relatively simple to produce, is closed for winter use, and can be regularly worn in public without arousing too much comment.

To me, something like the “bird shoe” above is very cool but not really acceptable in an unforgiving office environment. I would gladly hunt elk in these but for some reason, modern work culture has a fairly standardized and limited uniform. This style tends to be cut from a single piece and sewn around three-quarters of the sole. This one is punch decorated, probably to show off the stockings inside, a sign of wealth. This is a form of “turn-shoe” or soft-sole sewn inside-out then “turned”. A sturdy high top 12th century Dutch example with a center-seamed upper is seen below. In my opinion, these would make a fine winter shoe.

I can’t help but see the similarity between these and North American center-seam moccasins.
The style above is a well-documented Irish “Type 1” dating anywhere from the 1st centuries A.D. through the Middle Ages. A little more complex in construction, especially to get a perfect fit, it has been argued that these may be the result of craft specialization in the early Christian period of Northern Europe. I plan to make a pair of these and contemplate them as a possible design for teaching simple shoemaking. There is some real sewing involved, but not enough to intimidate most beginners.

For those who know American moccasin styles the pattern above seems very familiar as a one piece, side-seam shoe.
So, this brings us to the “Irish Brogue” or Type 5 shoe. These are known well up into the nineteenth century and I wouldn’t be surprised to find them in even more modern contexts, especially amongst the poorer populations. There are similar shoes depicted in Colonial America, probably made in the home for lack of money or access to a cordwainer.

The above brogues appear to be a “built” shoe, having separate soles, multi-pieced upper, and a heel lift; the only difference between these and others from the period is the lack of ties or buckles. Although difficult to tell from the image, they are likely constructed similar to those below:

Hopefully, updates will soon follow to track the creation of a new pair of shoes.













