Pole Lathe

LatheHere’s an image of Mick’s pole lathe where my bowl and plate were created.  It’s hard to see all the workings from this view but it’s a pretty great set-up.  Unlike a modern, continuous motion lathe, the cutting is done on the down-stroke (about 2 1/2 revolutions) and the spring returns the system to the “up” position.  This type of woodworking is done with green wet wood; in this case, alder.

Handcrafts

Some craftsmanship seen at Winter Count 2014.  Moving a little closer to a hand-made life, one skill at a time.

Ceramics by Roger Dorr, Woodwork by Mick Robins.
Ceramics by Roger Dorr, Woodwork by Mick Robins.

Hand made pottery made by artisans who collect the raw clays, slips, and paints make for greatly loved cookware and cups.  Wood turned on a foot-powered lathe from cleared alder trees make for intimate dinnerware.

Pots
The wares of just one of the many great craftspeople associated with Backtracks and the Society of Primitive Technology.

Many cultures are represented at the gatherings but in the Southwest, the black-on-white ceramics dominate the fancy wares.

Packbasket
Packbasket

Packbaskets are found worldwide but only in small sectors of the western population.  This one is particularly beautiful.

Making a bowl by burning and scraping.
Making a bowl by burning and scraping.  Delicious ducks roasting in the background.

Even a simple bowl can be a satisfying accomplishment when it holds it’s first meal.

Fresh deer skins being turned into buckskin.
Fresh deer skins being turned into buckskin.

A lot of time and labor goes into dressing a fresh deer hide but the payoff is immense.  Buckskin clothing will last for many many years.

Perfectly tanned hides by "Digger".
Perfectly tanned hides by “Digger”.

Skilled artisans and craftsmen can make the best customers as they know and understand the care and effort that goes into a handcrafted project.

musicThe talent doesn’t end with the crafting of artifacts.  People who “Make” have skills that reach far beyond the world of modern consumption.  The primitive technology crowd brims over with artists and musicians of many types and genres.

More making, less taking.

Ghillie Making at Winter Count 2014

One of the many things taught at Winter Count this year was shoe making in the form of carbatina or ghillies.  These are relatively simple shoes notable for their one piece construction and generally involve very little sewing.  I am interested in how things are learned and for me, the process is more important than any other aspect.  Hopefully, students take away some knowledge that they can apply beyond the class setting and in an afternoon can learn something that they can use for life.

ghillieHistorical examples vary widely but tend to have a lot of similarity in the complex toe-cap.  Shoes are a difficult piece of clothing and protection because the fit is critical and even minor problems with the shoe will impact the feet in a negative way.

Marx-Etzel2The toe cap is formed by strips of leather overlapping which gives flexibility and room for expansion.  The simplest forms are one piece but better versions are found with insoles and outer soles to extend the life and create a sturdier shoe.

DSCN4029 DSCN4030 DSCN4031 DSCN4033 DSCN4034These were all made from premium oak tanned leather (ca. 8 oz. or 3.2 mm) which proves to be tough to cut but provides a long lasting shoe.  It was a great set of students in the classes and I think we ended up with 17 pair of shoes in the end.

An earlier post describing my journey into Ghillies can be found HERE.

Irish Brogues and Other Simple Shoes

It’s time for new shoes.  After a soon-to-be-finished commission for a leather satchel, I intend to dive into a brogue-making project in the style of 19th century Ireland.  This basic design certainly dates back much further than this as shown by archaeological finds in bogs throughout Europe.  Don’t confuse these brogues with the more modern usage such as:

ModernBrogueThis is a brogue in the Scottish/Northern English semi-formal fashion with decorative holes reminiscent of the drains left in old field shoes.  Nor is this to confused with the type of shoe that some modern-primitives call “ghillie-brogues” or more properly, just “ghillie”:

These earned their proper name from Scottish Ghillies; a term used to denote game wardens, hunting and fishing guides, and sometimes, even poachers.  A simple shoe style that probably goes back several millenia in Europe.

What I decided to shoot for was a shoe that is relatively simple to produce, is closed for winter use, and can be regularly worn in public without arousing too much comment.

birdshoe
Haarlem, Netherlands, ca. 1300-1350.

To me, something like the “bird shoe” above is very cool but not really acceptable in an unforgiving office environment.  I would gladly hunt elk in these but for some reason, modern work culture has a fairly standardized and limited uniform.  This style tends to be cut from a single piece and sewn around three-quarters of the sole.  This one is punch decorated, probably to show off the stockings inside, a sign of wealth.  This is a form of “turn-shoe” or soft-sole sewn inside-out then “turned”.  A sturdy high top 12th century Dutch example with a center-seamed upper is seen below.  In my opinion, these would make a fine winter shoe.

shoe_12th
12th Century center seam shoe from the Netherlands.

I can’t help but see the similarity between these and North American center-seam moccasins.

BogShoeThe style above is a well-documented Irish “Type 1” dating anywhere from the 1st centuries A.D. through the Middle Ages.  A little more complex in construction, especially to get a perfect fit, it has been argued that these may be the result of craft specialization in the early Christian period of Northern Europe.  I plan to make a pair of these and contemplate them as a possible design for teaching simple shoemaking.  There is some real sewing involved, but not enough to intimidate most beginners.

shoes-fig3
From: Lucas, A.T. (1956). Footwear in Ireland. The Journal of the County Louth Archaeological Society 13(4).

For those who know American moccasin styles the pattern above seems very familiar as a one piece, side-seam shoe.

So, this brings us to the “Irish Brogue” or Type 5 shoe.  These are known well up into the nineteenth century and I wouldn’t be surprised to find them in even more modern contexts, especially amongst the poorer populations.  There are similar shoes depicted in Colonial America, probably made in the home for lack of money or access to a cordwainer.

Newports
Early American shoes from Newport, Rhode Island.

The above brogues appear to be a “built” shoe, having separate soles, multi-pieced upper, and a heel lift; the only difference between these and others from the period is the lack of ties or buckles.  Although difficult to tell from the image, they are likely constructed similar to those below:

Lucas, A.T. (1956). Footwear in Ireland. The Journal of the County Louth Archaeological Society 13(4).
Lucas, A.T. (1956). Footwear in Ireland. The Journal of the County Louth Archaeological Society 13(4).

Hopefully, updates will soon follow to track the creation of a new pair of shoes.