Interior of a Mechanic’s Workshop

Anthelme Trimolet (Anthelme Claude Honoré Trimolet, born 8 May 1798, Lyon – died 17 December 1866, Lyon) from the Musée des Beaux-Arts de Lyon.

I have stared at this painting for quite some time.  There is a lot to unpack from this one if you have any interest in hand tools.  This image is of a very organized workshop of a master craftsman plying his trade in the early 19th century.  I feel he is consulting with a client about a commission they are undertaking and discussing the finer details.  Click the image for a larger version and enjoy.

The Nuts of “Ingenious Mechanicks”

Okay dammit. Now I have to make some of these…

Lost Art Press

While researching “Ingenious Mechanicks” Chris Schwarz and I found many workbenches with face vises and some of them actually had vise nuts.

In the montage above there are selections from paintings from Spain, Italy and what is now present-day Ecuador. As you can see, they range from the basic steering wheel to the curvy hurricane. The nut on the lower left is the shape Chris chose for his Holy Roman/Löffelholz workbench (and he provides the pattern in the book).

My particular favorite is a form that may have originated in Spain and made its way to Spain’s New World colonies: the double-bunny ear. The double-bunny ear provides an easy grip for tighting or loosening the vise.

The top right image is from a 17th-century Spainish painting. The next two vice nuts on the right are late 19th-to-early 20th century from Guatemala and Mexico. The vise nut on the left is of…

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