More Historic Caravans in Art

Copyright The Munnings Collection at The Sir Alfred Munnings Art Museum / Supplied by The Public Catalogue Foundation

Copyright The Munnings Collection at The Sir Alfred Munnings Art Museum.

Here are a couple final Alfred Munnings images of Romani caravans in an English countryside.  As a keen observer, he definitely caught the important details of each type of caravan and the essentials of camp life.  The watercolor above is somewhat unusual for Munnings as it shows no animals, people, or campfire.

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Alfred Munnings.

Above is a rarely shown rounded square-top among other carts and caravans with livestock milling about.  The variety detailed in these historic images should be helpful for those desiring to design and build a similar living accommodation.  The previous post gave a glimpse of Laura Knight’s work on the subject and her subjects are remarkably detailed and informative.

Gypsy Camp, ca 1938, Dame Laura Knight.

Gypsy Camp, ca 1938, Dame Laura Knight.

This is one of my favorite scenes of a camp in the countryside; two beautiful ledge wagons and a marquis tent in a field.  I could picture this in a high parkland of the Rocky Mountains.  Many people don’t know that the outlier tent, awnings, and tarps are almost ubiquitous with the old caravans.  This allows for a very flexible and expandable living arrangement or a sheltered kitchen area.

Young Gypsies 1937, Dame Laura Knight.

Young Gypsies 1937, Dame Laura Knight.

If you look closely at the sketch above, you can see that this is the same encampment from another angle, focusing on the kids at play.  It looks like a fine way to grow up.

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Gypsy Wagon and Tent, Dame Laura Knight, 1962.

And finally, another favorite of mine.  I suspect it’s the same little yellow wagon next to the sketchiest bender tent ever.  Probably a makeshift shelter for work or cooking.  A wagon wheel in the foreground seems to await repair while the kids look on.  Note the size of these caravans relative to today’s “needs” and remember that whole families lived and were raised this way.

If you missed the previous post about historic caravans in art go HERE or check out a whole page of images I have curated HERE.

Historic Romani Caravan Paintings

These images might whet the appetite for summer days, picnics, an caravanning off into the great unknown; or it might just be a bunch of pretty pictures if the former isn’t your cup of tea.  Anyway, these are generally labelled and classed as Gypsy images although we know that this is often seen as an offensive word to many Romani (Roma, Romany, etc.), I don’t think it was intended this way in many cases.  For that matter, when not applied to an actual people, the word gets thrown around in art, aesthetic style, dance, music, and many other ways.  I have only known a few “Gypsies” in my lifetime and that was the term used; maybe out of simplicity, maybe just as resignation to the common language.  But enough of this digression, enjoy the paintings.  There will be more to come.

Dame Laura Knight, Gypsy Caravans, 1935. LONDON.- Trinity House.

Dame Laura Knight, Gypsy Caravans, 1935. LONDON.- Trinity House.

“Knight … bucked trends through depicting liminal sites, such as circuses and gypsy settlements, from the very beginning of her career. An example of this is her delightful work Gypsy Caravans (1935).”

The caravans depicted above are the Rolls-Royce’s of their day; highly ornamented Reading Wagons with mollycrofts, awnings, windows, and fine paint work.  They would catch they eye of any artist.  I am particularly fond of the domestic scene around the hearth; laundry being done and hung out to dry in the background.

The paintings below are by Sir Alfred Munnings (1878-1959), a British artist who made many beautiful watercolor paintings of horses, encampments, and caravans.  What better, more colorful, and dynamic subject matter?  Alfred Munnings’s biography states that he clearly considered himself accepted among the gypsies when he was able to persuade several of the older women to bring out the brilliant shawls, boldly coloured aprons, and flamboyant ostrich feathered hats that were special occasion wear for the women.”

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Sir Alfred Munnings.

The ubiquitous fire hook and kettle rest as the true center of this scene.  Everyone is done up in the Sunday best at Epsom Downs.  We see all kinds of accommodations from a bender tent to various quality of living wagon.  And no camp is complete without a lurcher (dog) and the milk goat.

Munnings became president of the Royal Academy and was made a Knight of the Victorian Orderwhile Dame Laura Knight (1877-1970) served on a panel of European judges for an international exhibition at the Carnegie Institute and was appointed as an official artist for the Nuremberg War trials for her technical abilities.  In other words, good documentary artists.

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Sir Alfred Munnings.

Travellers and their goat gather ’round the morning tea.  I envision Mick’s garden will look like this once Jim and I get our ‘vans parked for the summer.

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Gypsy Life, the hops pickers, Sir Alfred Munnings..

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One of my favorites.  So much going on here and a great color scheme.

More images added HERE.